Charpentier, Marc-Antoine
Caecilia virgo et martyr (Hitchcock 413)
F-Pn Rés Vm1-259, vol 6, fol. 77-89
Minkoff
The two high-pitched instrumental parts do not bear an explicit instrument designation at the beginning of the piece, but are referred to several times within the score as «violes».
Shirley Thompson, The Autograph Manuscripts of Marc-Antoine Charpentier: Clues to Performance, Thesis, University of Hull, 1997, pp. 64ff.
Shirley Thompson, Marc-Antoine Charpentier and the viol, «Early Music», 2004, pp. 497-510
Hugh Wiley Hitchcock, Les Œuvres de / The works of / Marc-Antoine Charpentier, Paris, Picard, 1982