Bettina Hoffmann

Catalogue of Solo and Chamber Music for Viola da Gamba

author

Finger, Gottfried (Godfrey) (?)

1660 ca. - 1730
work information

16 sonatas for 2 violas da gamba:
Sonata 1 Amoena in E major, Sonata 2 Ariosa in D minor, Sonata 3 in G major, Sonata 4 in A minor, Sonata 5 in B flat major, Sonata 6 Augustiana in D minor, Sonata 7 Grandoena in D minor, Sonata 8 Jucunda in A major, Sonata 9 Suavisona in B minor, Sonata 10 Gratiosa in D major, Sonata 11 Primoena in C major, Sonata 12 Mixta in A major, Sonata 13 Furiosa in G major, Sonata 14 Selecta in D major, Sonata 15 Aureliana in G minor, Sonata 16 Furiosa 2da in D major
(Rawson RI 158-173)


manuscript
scoring
2 vb (+ bc?)
where
source

D-SÜN ms. 12, n° 1-16 (all 16 sonatas)

GB-Ob C.93, ff. 57-59 Sonatina (concordant with Sonata 5)

GB-DRc D.2, no. 45 (concordant with Sonata 7 Grandoena, attributed to «Mr. Young», see)

Gb-Lcm C.41/2, pp. 55-56 (concordant with Sonata 7 Grandoena, incomplete, fragment of a soloistic part and bass line only)

CZ-KRa A 4688 Balletti scordati a Violino solo e Viola di Gamba, ff. 9v-10r (concordant with Sonata 8 Jucunda, followed by a suite), (incomplete, viol I missing)

online copy
modern edition(s)

Walhall (choice), Güntersberg (choice)

further information
notes

The manuscripts in D-SÜN and in CZ-KRa are anonymous; the composer has been identified thanks to the concordances with the manuscript GB-Ob C.93. The attribution is in turn cast into doubt, at least for part of the sonatas, by the concordance, discovered in 2024 by Luke Challinor, of the Sonata 7 Grandoena handed down in DRc D.2 under Young's name (see).

The harmonic lack of a bass line is evident in many passages of the version for two viols; the manuscript Gb-Lcm C41/2, which offers a basso continuo for both the slow introduction (Prelude) and the following divisions of the Sonata 7 Grandoena, seems to confirm that a bass was intended.

RISM

ms. D-SÜN: ID 450027687

ms. CZ-KRa: ID 550265098

ms. D.2: ID 806929467

Thematic index
bibliography

Arthur W. Marshall, The Viola da Gamba Music of Godfrey Finger, «Chelys» 1 (1969), pp. 16-26

Fred Flassig, Die solistische Gambenmusik in Deutschland im 18. Jahrhundert, Göttingen, Cuvillier Verlag, 1998

Robert Rawson, From Olomouc to London: the Early Music of Gottfried Finger (c.1655-1730), 2 vols., dissertation, Royal Holloway, University of London, 2002

Utilizziamo i cookie per essere sicuri che tu possa avere la migliore esperienza sul nostro sito. Se continui ad utilizzare questo sito noi assumiamo che tu ne sia consapevole. maggiori informazioni

Questo sito utilizza i cookie per fornire la migliore esperienza di navigazione possibile. Continuando a utilizzare questo sito senza modificare le impostazioni dei cookie o cliccando su "Accetta" permetti il loro utilizzo.

Chiudi